In a recent interview, legendary guitarist Steve Howe of the iconic progressive rock band Yes, shared his personal favorites from the band's extensive catalog. What makes this particularly fascinating is the insight it provides into the creative mind of an artist and the evolution of a band's sound over time. Personally, I think it's a testament to the power of music and the emotional connection it fosters.
The 70s: A Golden Era for Yes
Howe's choices are predominantly from the 1970s, a decade that seems to hold a special place in his heart. He describes this era as a time of "wonderful innocence" for the band, a period when their music was deeply magical and exploratory. It's a sentiment that many fans and critics would likely agree with, as the 70s saw Yes produce some of their most iconic and influential works.
Turn of the Century
From the album "Going for the One" (1977), "Turn of the Century" stands out for Howe. He describes the process of creating this song as a "real vortex," a challenging yet rewarding journey. The song draws on the softer side of Yes, reminiscent of tracks like "And You and I" and "Wonderful Stories." What many people don't realize is that this song, with its intricate layers and emotional depth, was a true collaborative effort, with lyrics inspired by a sculptor named Roan.
Siberian Khatru
A track from the landmark album "Close to the Edge" (1972), "Siberian Khatru" encapsulates the essence of Yes at that time. Howe notes the song's archetypal elements, which the band could have drawn upon in later years. It raises a deeper question about the band's creative process and their ability to evolve while staying true to their roots.
Tempus Fugit
"Tempus Fugit" from the album "Drama" (1980) is a standout for Howe, marking a pivotal moment in the band's history. The song's dynamic and speed are a testament to the band's drive to keep pushing forward. The addition of Trevor Horn and Geoff Downes brought a new direction and ease to Yes, which is evident in the song's orchestration and structure.
South Side of the Sky
"South Side of the Sky" from the album "Fragile" (1971) showcases the band's ability to blend different sections and senses of development. It's a song that rocks and then doesn't, with light and experimental sections influenced by groups like The Fifth Dimension. The guitar solo at the end, with its unique live sound created by spinning a microphone, is a perfect example of the fun and innovation that characterized Yes in the 70s.
The Revealing Science of God (Dance of the Dawn)
From the ambitious double album "Tales from Topographic Oceans" (1973), "The Revealing Science of God" was a challenging project. Howe and Jon Anderson pushed for its inclusion, and their faith in the song paid off. The track, along with "Ritual (Nous Sommes Du Soleil)," sums up the album's essence. Despite initial press backlash and Rick Wakeman's departure, the album eventually gained widespread acclaim.
A Deeper Look
Howe's choices and reflections offer a unique perspective on Yes' journey. It's a reminder that music is often a collaborative effort, with each member bringing their own influences and ideas. The 70s, for Yes, was a time of experimentation, innocence, and magical creativity. From the soft and emotional to the dynamic and innovative, their music evolved, yet the band's essence remained.
In my opinion, this insight into Howe's favorites provides a fascinating glimpse into the heart of Yes and their enduring legacy.
